Stepping out from the crematorium after the death of their mother, two Parisian old maids, Annette and Bernadette, find themselves at the counter of the next door bar with the urn in their hands.
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Last event date: Saturday, April 06 2024 3:00PM
Stepping out from the crematorium after the death of their mother, two Parisian old maids, Annette and Bernadette, find themselves at the counter of the next door bar with the urn in their hands. Then in the corridor of a train. At the steering-wheel of a bus for 60. On hidden paths of a cemetery. In the lost time. An existential clownery, featuring the singing of Charles Aznavour.
Pierre Notte, born in Amiens (France) in 1969 is a director, writer, actor and lecturer. He has been writing for the theatre since 1990. His plays have been performed all over France and have won numerous prizes. In 2003 he won the Centre National des Lettres prize for an emerging dramatic writer. For “Moi aussi je suis Catherine Deneuve“ he got the Diane and Lucien Barrière Foundation’s Theatre Prize in 2005 and the “Molière” for best play in 2006. In 2006 he was also named a “New Theatre Talent” by the French Association of Authors and Composers. He runs the writing workshop of the French Society of Authors and has been General Secretary of the Comédie-Française in Paris since 2006. Pierre Notte, who lives in Paris, has been honoured as “Chevalier des Arts et des Lettres” by the French Ministry of Culture.
Running time: 1 hour 35 minutes with no intermission
Orestes Loves Hermione, Who Loves Pyrrhus, Who Loves Andromache, Who Loves Hector, Who is Dead
In 1909, Ferenc Molnár set the story of Liliom in his own time. The creators of the new performance of the Örkény Theatre imagine the images of Liliom and Juli's love in line with the author's original intentions, also in their own present, in a contemporary environment. Molnár's timeless themes collide with the problems, desires, and traumas of 21st century people.
Emma személye több mint húsz, nőkkel készített mélyinterjúból állt össze. Olyan történetek ezek, amelyekbe általában nem avatódunk be, mert zárt ajtók mögött játszódnak, és a résztvevők nem akarnak, vagy nem tudnak beszélni róluk. Ezúttal, ha csak közvetve is, Emmán keresztül megnyílnak nekünk, és megmutatják sorsuk egy-egy rejtett, elhallgatott pillanatát.
Egészen különleges téma, melynek bemutatására kísérletet teszünk ezen a színházi anekdotákkal tarkított várostörténeti sétán. Azt vizsgáljuk, hogy hol álltak Pesten…
In Ferdinand von Schirach's play, a seventy-five-year-old man, who has lost his wife after fifty years of marriage, but is…
The ‘musical tale’ was first presented in 1990 as an adaptation of Weber’s The Marksman, made by Robert Wilson, American…
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