„Rájöttem, hogy az emberek soha nem fognak megváltozni. Mindig hagyni fogják, hogy az okosabb és erőszakosabb ember uralkodjon rajtuk. Aki mindent mer, annak lesz igaza! Aki felrúgja a szabályokat, az hozza majd a törvényeket, és aki a legtöbbet meri, annak az igaza lesz a legerősebb. És ráébredtem, hogy a hatalom mindig annak a kezébe kerül, aki hajlandó megragadni. Hogy csak merni kell. Ennyi az egész. És akkor elhatároztam, hogy én merni fogok.”
Orestes Loves Hermione, Who Loves Pyrrhus, Who Loves Andromache, Who Loves Hector, Who is Dead
At first, there is nothing unusual about Katarina and Peter's marriage. Beneath the surface, however, they are driven by hellish desires. In the usual intimate and direct form of Dollar Papa's Children, the performance examines relationships torn apart by everyday life. The goal is to understand and get to like these characters during rehearsals, so that the audience can see them as lovable, at least for a short moment. Or is understanding just an illusion we want to believe in?
In 1909, Ferenc Molnár set the story of Liliom in his own time. The creators of the new performance of the Örkény Theatre imagine the images of Liliom and Juli's love in line with the author's original intentions, also in their own present, in a contemporary environment. Molnár's timeless themes collide with the problems, desires, and traumas of 21st century people.
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