7
Anna Édes
Dezső Kosztolányi’s dramatic epic is filled with mysteries and question marks. In the title role is one of the most debated and analysed characters in Hungarian literature.
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Last event date: Wednesday, February 05 2025 7:00PM
“Drip, drop. Drip, drop. Something is dripping. Drip, drop. Drip, drop. Maybe I forgot to turn off the tap. Drip, drop. Drip, drop. No. Blood is dripping, dripping ever more quietly. Soon there will be silence. Deep silence.”
Dezső Kosztolányi’s dramatic epic is filled with mysteries and question marks. In the title role is one of the most debated and analysed characters in Hungarian literature. Yet, the author insists on the enigmatic diversity of life, as well as the unreproducible singularity of the human being. He tosses aside every principle or thought that could provide a single reason as to why. What phases must one pass through (rationally? instinctively?) in order to rebel against an order accepted by everyone, even oneself? And what happens if demolishing the whole system – operating as it does on mutual dependency – comes at the cost of obliterating one’s self?
Running time: 2 hours 30 minutes with one intermission
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Sylvia Plath’s novel The Bell Jar is a much-analysed and much-quoted cult classic of the 20th century. In part, the story, inspired by her own life, exposes with brutal honesty the stages of becoming a woman. Yet, it is also a rendering of the transitional period from adolescence to adulthood that is filled with insecurity, an expression of inner fears and a search for self-identity of elemental power.
Performed over 500 times in Hungary and abroad the show is an hommage to the great Hungarian master of the absurd, István Örkény.
The ‘musical tale’ was first presented in 1990 as an adaptation of Weber’s The Marksman, made by Robert Wilson, American theatre director and visual artist, and Tom Waits, singer-songwriter, composer.
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